![]() ![]() On her fourth album, however, everything has changed. But the records sold well rather than spectacularly, spawning hits that slow-burned to gold status without actually making the Top 40. And you couldn’t fault Monáe’s sense of commitment to her roles, which extended to apparently giving interviews in character. (Purchasers of 2013’s The Electric Lady could take their pick from the standard edition, featuring a cover titled Concerning Cindi and Her Sisters and the Skull of Night Thrashings, or a deluxe version called Concerning Cindi and the Glow of the Drogon’s Eyes.) Equal parts Afrofuturism and the sexually ambiguous personae of 70s Bowie, Monáe’s albums to date posited her as a part-human, part-cyborg figure in a dystopian future. F or over a decade, Janelle Monáe has carved a niche for herself as a purveyor of R&B so high concept that even her album covers came with subtitles. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |